Release Details

Beaver & Krause

The Nonesuch Guide To Electronic Music

Released:1968

Labels:Nonesuch

Appears in 957user collections

Tracklist:

• A1 - I. Peace Three
• - II. Signal Generators
• - A. Sine Waveform
• A2a - 1. Slow-Motion Audible Example
• A2b - 2. Composition
• A2c - 3. Harmonic Synthesis
• A2d - 4. Non-Harmonic Synthesis
• - B. Sawtooth Waveform
• A3a - 1. Slow-Motion (Negative- And Positive-Going)
• A3b - 2. Composition
• - C. Rectangular Waveform
• A4a - 1. Slow-Motion Audible Example (1/8-1/2)
• A4b - 2. Composition (Using 1/8, 1/7, 1/3, 1/2)
• - D. Triangular Waveform
• A5a - 1. Slow-Motion Audible Example
• A5b - 2. Composition
• - -
• A6 - E. White Sound Composition
• - III. Control Generators
• A7a - A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion
• A7b - B. Sequential Voltage Sources. Composition
• - IV. Frequency Modulation
• - A. Keyboard Control
• B1a - 1. 12-Tone
• B1b - 2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves)
• B1c - 3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave)
• B1d - 4. Portamento
• - -
• B2 - B. Ribbon Control
• - C. Periodic
• B3a - 1. Vibrato Ⓢ (Speed Increases As Pitch Rises)
• B3b - 2. Sine-Higher Frequency
• B3c - 3. Sawtooth-Swept
• B3d - 4. Rectangular 1/2-Swept L2
• B3e - 5. Triangular-Swept
• - D. Periodics Combined
• B4a - 1. 3 Square Waves At Different Frequencies
• B4b - 2. 3 Triangular Waves At Different Frequencies
• B4c - 4 Different Waveforms 2L 2N 2V 2S At Different Frequencies
• - -
• B5 - E. White Sound
• - F. Transient
• B6a - 1. Up An Octave, Back To Pitch
• B6b - 2. Up A 3rd, Back To Pitch
• B6c - 3. Down An Octave, Back To Pitch
• B6d - 4. Down A 3rd, Back To Pitch
• - V. Amplitude Modulation
• C1 - A. Keyboard
• C2 - B. Ribbon Controller
• - C. Periodic
• C3a - 1. Tremolo
• C3b - 2. Sine-Higher Frequencies (S Sweeping S)
• C3c - 3. Sawtooth (Negative- And Positive-Going Swept)
• C3d - 4. Rectangular-L2 Swept
• C3e - 5. Triangular-Swept
• - D. Periodics Combined
• C4a - 1. 4 Square
• C4b - 2. 3 Triangular
• C4c - 3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ
• - -
• C5 - E. White Sound
• - F. Transient
• C6a - 1. Slow
• C6b - 2. With Rising Pitch
• C6c - 3. ∧∧∧∧∧
• - VI. Ring Modulation
• - A. Sine Waves
• C7a - 1. Series Of Sub-Audible Constants
• C7b - 2. Tune In Parallel
• C7c - 3. Tuned In Opposite Direction
• - -
• C8 - B. Sawtooth
• C9 - C. Rectangular L2
• - VII. Filtering
• D1 - A. White Sound - With Fixed Filters Selected 3rd Octave
• - B. White-Sound-Tuned Filters
• D2a - 1. Broad
• D2b - 2. Sharp
• - -
• D3 - C. Low-Frequency Sawtooth-Tuning Through Harmonics
• D4 - D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics
• D5 - E. Swept With Ribbon Controller
• - F. Periodic
• D6a - 1. Sine-Timbre Vibrato Effect
• D6b - 2. Sine-Variable Rate And Depth
• D6c - 3. Sawtooth (Descending And Ascending)
• D6d - 4. Rectangular
• - G. Transient (Sawtooth With Transient Controlled Filter)
• D7a - 1. -----------------
• D7b - 2. -----------------
• D7c - 3. ------------------
• D7d - 4. ------------------
• - VIII. Tape Delay
• D8 - A. Single Repeat
• D9 - B. Multiple Repeat
• - -
• D10 - IX. Peace Three (Recap)